Showing posts with label new gear. Show all posts
Showing posts with label new gear. Show all posts

Thursday, July 20, 2017

Orangemonkie is now at Beau Photo



Here is a couple great new products that you just might need. The FOLDIO2 by Orangemonkie is a 15 inch portable shooting tent that comes with its own LED lights. It is great for web merchandising or product photography for jewelry, shoes, sunglasses, beauty products and many more. The LED strip lighting is a daylight temp of 5700K and completely dimmable. Also what is great is that is folds down into a neat little package making it a truly portable lighting solution for the on-the-go product photographer. Add to that the FOLDIO360, and you can easily create 360 degree product images using a smart phone or a digital camera. The FOLDIO360 uses Bluetooth and IR sensors to connect directly to your smart phone and DSLR. Once you click on the start button, it will automatically rotate, take pictures, and combine them to create one final 360 degree image.

FOLDIO2      $109.95

FOLDIO360  $189.95


Thursday, June 22, 2017

Noblex for Summer!







Noblex Super Wide PRO 6/150 U

Want a unique Camera for your summer shooting? Looking for an amazing medium format film camera? The Noblex Super Wide PRO 6/150 U is it. NOBLEX cameras are film cameras that expose the film by rotating the lens 360° for one exposure. The film rests on the curved film plane, and is exposed through the constant shutter slit. During the first half of the rotation the lens drum is accelerated to a constant speed insuring absolutely even exposure of the film during the second half of the rotation. This results in distortion free photographs with an angle of view of 146° when using a NOBLEX PRO 6/150. What makes these pictures stand out are their remarkably even edge to edge illumination and unsurpassed sharpness. This camera was recently serviced to make sure it is fully functional. This item is new in its original box but please note the rear battery doors are missing.

Here is a link to see some examples of great photos you can take with a Noblex camera:
https://www.flickr.com/photos/hosten/galleries/72157627580680457/

Noblex PRO 6/150 U   Regular $4255.00     Clearance new Lower price!  $ 2500.00 $2000.00

Tuesday, May 16, 2017

Profoto B1X Power in all the right places




The Profoto B1 became the benchmark for the on-location flash. Now, the benchmark is about to be set again with the launch of the Profoto B1X.

More than an update, this is a significant replacement with improvements in three important areas; power, power and power.

The B1X features a new LED modelling light which adds 80% more light output. The new battery pack holds an impressive 50% more energy with no extra size or weight. And last but not least, the High Speed Sync power range is extended to the same range as in normal flash mode - 9 full f-stops.

Add to that two new OCF reflectors that are compact in size yet add lots of punch and direction to overpower the sun and no matter where you’re shooting, you’ll have power in all the right places.

Find out all about these new products at: https://profoto.com/speed-redefined/ca/b1x/

Wednesday, November 9, 2016

Beau Photo / Fuji Guy's Photo Walk!



Try out the latest X-series cameras and lenses
Photography tips and gear demonstrations!

* REGISTER HERE *
(RSVP link is right near the bottom left of the page) 

** Fujifilm has increased the registration cap, so tickets are once again available **

Please bring your own camera gear, and since it is a nighttime walk, a tripod could also be useful. The Fuji Guys will have a limited number of new cameras and lenses available for you to try as well.

You must register to attend!  One additional guest is allowed per person. Registration deadline is November 10th.

Dress appropriately for the weather and bring good walking footwear.

Where: Granville Island, Vancouver, B.C.
Date: Tuesday, November 15, 2016
When: meet at 7:00pm / walk starts at 7:30pm sharp / ends at 9:00pm

Meeting place is outdoors, under the yellow canopy, just outside the Blue Parrot Cafe at the north-most end of the Granville Island Public Market.


Wednesday, April 13, 2016

NEW IN RENTALS! Canon EOS 80D DSLR

We have replaced our hard working Canon EOS 70D DSLR with Canon's new EOS 80D DSLR. Improvements relative to the 70D is a new, higher resolution 24.2 megapixel sensor, a 45 point all cross type AF system, 1080p 60fps video recording & larger buffer. I personally like the 3x-10x digital video zoom feature, as it allows me to get much closer to wildlife and still preserve the 1080p resolution than I would without it.  The large tilt screen with touch function is also quite useful, as is the NFC/WiFi function.

Anna's Hummingbird & nest - Canon EOS 80D + Canon 100-400mm f4.5~5.6L IS II.

Great Horned Owl fledgling - Canon EOS 80D + Canon 600mm f4L.

Wednesday, March 30, 2016

Register now for an upcoming Fuji Photo Walk!


A shot from the last Beau Photo / Fuji Photo Walk


Beau Photo / Fuji-Guys Photo Walk  (Saturday, April 9th)


On Saturday, April 9th, Beau Photo and Fujifilm Canada will be hosting another photo walk. This time we'll be meeting at the Coal Harbour Community Centre in downtown Vancouver at 1:00pm. The walk will continue until 4pm. You will need to sign up in advance, and here is a link for doing so…


I, Mike Mander, will be there, as well as Gord Webster from Fujifilm, Vancouver's own "Fuji Guy", and Ramin Shahidian who is a local Fujifilm sales rep. You are welcome to bring your own camera gear to shoot with, be it Fujifilm or something else, and there will be lots of Fujifilm X-series loaner gear on hand for you to briefly try out during the event. Of particular interest is the new X-Pro2 body, and there should be four or more of those to share with other attendees. We will also have the new 100-400mm zoom as well as many other bodies and lenses to borrow and try out. In addition, we will be happy to answer any of your technical questions too plus, we will have some $50 off coupons on hand for those attendees wanting to purchase a Fujifilm body or lens after the event!

See how a previous photo walk turned out here: Beau Photo / Fuji Photo Walk 2015

Monday, March 7, 2016

Profoto's New Line Up of OCF Modifiers





Bring out the beauty of your subject with the collapsible and portable OCF Beauty Dish.
It creates a creamy yet crisp light, often referred to as a “beauty light.” When it comes to bringing out the beauty of your subjects, the OCF Beauty Dish is second to none.

Tailor-made for on-location photography, it is compact, lightweight and easy to use. High-quality fabrics and a patent-pending design allows you to snap it onto the speedring without having to bend and fumble with the rods.

Features:
Made with high-quality fabrics.
Available in two versions: white and silver.
Comes with deflector plate, optional diffuser and carrying bag.

Profoto Adds Colour to the Mix



Just announced!
Add colour to your palette with Profoto OCF Gels.

There are 20 gels to choose from. Ten are colour correction gels for balancing your flash with sunshine or indoor lighting. The other ten are colour effect gels to boost your creativity and shape light in colour.

OCF Gels are pre-cut to fit Profoto off-camera flashes and are easily mounted in the blink of an eye.
There are three different kits available. The OCF Color Gel Starter Kit (includes the 10 most popular gels plus the actual grid & gel holder), the OCF Color Correction Gel Pack and an OCF Color Effects Pack, each with 20 gels.

Features:
Pre-cut and labeled for fast and easy use.
Clever snap-on solution.
Comes with two gel attachment pieces, a practical bag and a wallet.
Can be used together with any OCF light shaping tools.

Tuesday, February 9, 2016

Phase One - Open House at Beau Photo

Click on the above image to register for this upcoming event in one week, Monday Feb 15th.

Check out Phase One's excellent new XF camera system and their latest and greatest 100MP full-frame 645 CMOS digital back. A formal presentation is running from 2:30pm-3:15pm so if your time is limited and you just want to attend and ask questions or spend time checking out the new gear, then plan on coming either before or after the presentation. That said, the presentation may answer many of your questions too!

As mentioned, bring your own empty CF memory card if you want to keep any test shots you've taken...

Sunday, January 31, 2016

NEW! Nikon D5, D500 and SB-5000...

Not only has Nikon announced the D5, the successor to the D4S, but like a rabbit out of a hat, they also announced the D500! The D500 is finally (finally!) the long-awaited-and-almost-given-up-on successor to the aging D300S. The D500 was truly a big surprise since in this case, it seems Nikon kept an amazingly tight lid on things. There were no credible leaks that I ever noticed in any case. Nikon has also announced a successor to the SB-910 too, which also seems to kickstart a new flash model number sequence with the brand new Speedlight SB-5000. Its breakthrough feature is moving from optical to radio TTL for Nikon's Creative Lighting System (CLS). But first, let's start with the new bodies...

Nikon D5 ($8,499)



The Nikon D5 sports an all-new 20.8MP full-frame CMOS sensor with seriously enhanced high ISO capability. Even the D4S featured ISOs well up into the nosebleed territory but if you buy a D5, you may just need to include an oxygen mask with your purchase. How does a stratospheric maximum ISO of 3,280,000 sound? Yep… count the zeros, that's over 3 million ISO! Even the base ISO goes up to a whopping 102,400 now, so for low-light shooters, the D5 might just be the absolute king of the hill. Now, how useable these crazy high ISOs are, running into the millions... that I am not sure of yet? For sure the JPEG engine has seen some superb enhancements, but how will the raw files fare if run through non-Nikon raw converters like Lightroom or Capture One? Even so, one can be fairly certain that the D5 will be an improvement over the D4S regardless, and the D4S was certainly no slouch when it came to high ISO…

Thursday, January 14, 2016

NEW! Fujifilm X-Pro2!



A slew of big announcements from Fujifilm marks this day! A Fujifilm rep was kind enough to lend me a preproduction X-Pro2, an X70 and the new 100-400 zoom a short while ago, just so I could prepare a bit of a hands-on preview in time for the official announcement. Despite the fact that I am very behind with my blogging (nothing on the new Nikon announcements yet for example, but coming soon!) I feel obligated to put the other blog entries on hold and first talk about the Fujifilm gear, since the rep did go totally out of his way to get me the gear for the personal hands-on I had requested. Please note that the camera I tested definitely had beta firmware, and I did notice the occasional typo. I also cannot be sure how the camera's performance will change, or what features might still be added, once the final firmware is out. I will publish some more hands-on impressions of how it is to shoot with, once I get my hands on a production camera for a while.



So, now to the X-Pro2… finally! Many have been waiting for an upgrade to Fujifilm's first interchangeable lens X-system camera, and soon the wait will be over. The X-Pro2 improves on its predecessor in pretty much every way. First off, rest assured that Fujifilm's superb Hybrid-VF is still present, and it has been upgraded to offer an optional zoomed EVF focus preview in its lower right corner, even when in OVF mode, just like its cousin, the X00T.

NEW! XF100-400mm zoom, Fujifilm X-E2s and X70...



Along with the X-Pro2 announcement, Fujifilm has announced a slew of other products, including the highly anticipated XF 100-400mm f/4.5-5.6R LM OIS WR zoom. Above is a photo of the preproduction X-Pro2 on the new zoom and as you can tell, it isn't exactly a svelte lens! Thankfully, it isn't quite as heavy as it looks, but you sure wouldn't be lugging this around for casual shooting. Carrying this lens will mean you are going to be wielding it with purpose, motor-sports, wildlife, birding etc.

Since the lens was preproduction and I had very little time with it, I am unable to comment on its image quality. That said, I did do a few indoor handheld shots at between 1/10 and 1/15 second, and even wide open at 400mm (a 600mm equivalent), they were mostly tack sharp. The 5-stops of image stabilization that Fujifilm is claiming certainly does not seem exaggerated. It features a weather-resistant design, has fast focusing, a lens hood with a built-in, sliding polarizer adjusting door, a tripod foot and apart from all the usual controls, also has a focus limiter switch. Here is a comparison, hoods off, to the largest of Fujifilm's other tele zooms, with the new big gun on the left, the the XF 40-150mm f/2.8 zoom in the middle, and on the right, the XF 55-200mm…

Tuesday, November 17, 2015

NEW! Fujinon XF 35mm f/2.0R WR and 1.4x Teleconverter...




Update #2: I have now received my own XF 35mm f/2R WR lens and published a detailed review, with lots of sample images as well. Check it out on my blog at the following link: http://mikemander.com/2015/11/tested-fujinon-xf-35mm-f2r-wr.html



Update: We now have the new 35mm f/2 (black version) in stock! The silver model will be coming in a week or so. I'll be receiving my own personal one within the next week too and I'll be doing some testing and reporting on the quality of a production version of this new lens soon. See the rest of this blog entry for some preliminiary testing notes.

Announcement & Initial Testing Notes



[October 21, 2015]: Today, Fujifilm took the wraps off a couple of new items. First off, let's talk about their new, compact 50mm equivalent normal prime lens, the Fujinon XF 35mm f/2.0R WR. You can see it above in the lineup, starting on the left with the 23mm f/1.4, then the existing 35mm f/1.4, the new 35mm f/2 and then the 18-55mm kit zoom (click the image for a larger view). As you can see, the lens is a fair bit smaller than the current 35mm f/1.4.

The new 35mm f/2 is due to be available for sale on November 14th at a price of $499 CDN. The lens will come with a small, 43mm thread-on lens hood and you can use the standard lens cap with it. There will also be an optional bayonet metal lens hood for an estimated $59.95. This hood is tapered and "vented" with slots cut in to allow for better optical VF viewing with the X-Pro1, and presumably, future models with a similar rangefinder-style Hybrid Multi Viewfinder. Despite its tapered design, thankfully it will still allow for use of the supplied, normal snap on lens cap, which is something you cannot do with the rectangular metal hood on the 35mm f/1.4. Not sure yet if the hood can be reverse mounted though? Here is a shot of the optional hood…


The lens will be available in both black and silver, however the hood seems to be available in black only. We are taking preorders on this lens, so contact us if you'd like to order one!

Here is a photo of the black and silver versions, side by side (again, click for a larger view) which might help you decide which one to preorder…

I had a chance to test out a prototype 35mm last week and considering it was optically not a final version, I was still impressed with its image quality.

Thursday, July 23, 2015

Profoto B2 Summer Promo



Profoto Canada launches the new B2 Flash with a great introductory sale.
Purchase the all new Profoto B2 between now and September 30th 2015 and get these
great introductory prices.
Profoto B2 250 AirTTL to-go-kit - Promo $2628.00 Regular price $2928.00
Profoto B2 250 AirTTL location kit Promo $3526.00 Regular price 3996.00

The Profoto B2 is an on or off-camera battery powered flash. The B2 head is a small strobe that is light enough to be put on a bracket on your camera or on a monopod or stand, the choice is yours. With the Profoto Air TTL remote, the B2 offers full TTL operation with both Canon and Nikon cameras. The B2 is designed to help you to add a little, or a lot, of extra light wherever it is needed. The entire B2 kit fits in a bag no larger than your average shoulder bag. Where and how you shoot is all up to you.

The B2 features:
• TTL and HSS (High Speed Sync).
• 2 fully asymmetrical outlets.
• Lightweight and compact flash heads with powerful LED modeling light.
• Exchangeable high capacity Lithium-Ion battery.
• Power range over 9 f-stops (1-250Ws) adjustable in 1/10th f-stop increments.
• Fast recycling of 0.03-1.35 seconds.
• At lower power settings, it will produce up to 20 flashes per second.
• Built-in AirTTL fully supports wireless operation with all existing Profoto Air transceivers up to 300 m (1,000 ft) away.
• Battery capacity of up to 215 full power flashes or 90 minutes of full modeling light in one charge.
• Built-in reflector creates a wide and even light spread.
• Intuitive and easy-to-use user interface.
• Compatible with more than 150 light shaping tools from Profoto’s renowned light shaping system.

B2 250 AirTTL To-Go Kit (901109)
1 x B2 250 AirTTL with Li-Ion Battery for B2
1 x B2 Head
1 x B2 Location Bag
1 x B2 Carrying Bag
1 x Battery Charger 2.8A
Promo $2628.00

B2 250 AirTTL Location Kit (901110)
1 x B2 250 AirTTL with Li-Ion battery for B2
2 x B2 Head
1 x B2 Location Bag
1 x B2 Carrying Bag
1 x Battery Charger 2.8A
1 x Extra Li-Ion Battery for B2
Promo $3526.00

Friday, May 15, 2015

NEW! Fujifilm XF 16mm f/1.4R WR

The new XF 16mm f/1.4R WR (second from the right)

Update [May 15, 2015]: Due to an unexpected delay in shipment, we did not receive our stock on the 14th as hoped for. According to tracking, we should be seeing a partial shipment arrive on Tuesday, May 19th. Unfortunately, the first shipment is not quite covering our pre-orders either. Hopefully we'll see the balance in a couple of weeks...

The good news is that I have had an opportunity to thoroughly test a production sample of the lens and have posted a follow-up review and a gallery of images on my personal blog here:


-------------------------------------------------------------------------------

A couple of weeks ago, Fujifilm announced a new, fast wide-angle 16mm prime lens, equivalent to a 24mm in full-frame terms. Notably, this is Fujifilm's first prime lens with the WR designation, meaning it has dust and water resistant construction. I had the opportunity to test a pre-production sample of the new 16mm and while I cannot share any photos from it, I will say that I was extremely impressed. Compared to the Fujifilm XF 23mm f/1.4R, which I consider one of the very best wide-angle lenses I have ever used (regardless of brand), I would say that even the preproduction 16mm held up to the 23mm as far as image quality.

Like the 23mm and the 14mm f/2.8, the new 16mm seemed 100% corrected optically for distortion, therefore no software correction will be needed; straight lines render straight with no apparent barrel or pincushion distortion, even at the very edges of the frame. In addition, I could see no evidence of any chromatic aberration either. With its Nano-GI anti-reflection lens coatings (which the older prime lenses do not have), it proved extremely resistant to lens flare when shooting into the sun as well, something that fast, wide-angle primes are often not very good at. Corner sharpness on the preproduction lens was exceptional as well, and once the lens was stopped down to /2.8, the corners were already essentially as sharp as the centre. Even wide open at f/1.4, the centre of the frame is tack sharp, the edges were very good and only the extreme corners showed some obvious softness. Even the wide-open bokeh was surprisingly smooth and pleasing, not something one would necessarily expect from such a wide lens.

Saturday, January 10, 2015

Coming soon... Fujinon XF 16-55mm f/2.8R LM WR


I had a chance to try out a preproduction copy of the upcoming Fujinon XF 16-55mm f/2.8R LM WR the other day, Fujifilm's new professional grade mid-range zoom. Notably, it does not have OIS (optical image stabilization) which seems to have gotten a few people riled up. Originally, Fujifilm specified OIS for this lens, but then a few months back when Fujifilm showed a prototype at the 2014 Photokina trade show, it was suddenly missing that feature.

Contrary to apparent popular opinion, I am quite pleased Fujifilm decided not to include OIS. Why? Well as you can see in the photos of this lens, it is already quite substantial (although not quite as heavy as it looks in my view) and adding image stabilization would have meant either increasing the lens' girth even more, or shrinking the optics instead which then would likely lead to more vignetting and other image quality concerns. More importantly, I have seen far too many non-telephoto, stabilized lenses suffer from image quality issues, most often inconsistent edge and corner softness and variable chromatic aberration, which is rather hard to compensate for properly.

A lens projects a round image-circle, slightly larger than is needed to cover the rectangular image area of the sensor (or film!) that takes the photo. Often times, especially with wide angle lenses, the closer you get to the edge of the image circle the more compromised the sharpness might become, often with increased vignetting and chromatic aberration too. While you are holding a stabilized lens, the image circle is constantly drifting about, compensating for your handholding jitter and movement. If you happen to take the photo while one corner of the sensor is near the edge of this drifting image circle, that corner might have worse sharpness than then rest of the frame. Wide-angle lenses tend to require very precise alignment of all their optical elements to achieve sharp, consistent image quality edge-to-edge so I don't know about you, but to me, having a group of lens elements tilting about continuously inside the lens doesn't strike me as a good recipe for optimal image quality!

Thursday, January 8, 2015

NEW! Fujifilm XF 56mm f/1.2R APD



We just got a shipment of the Fujifilm 56mm f/1.2 APD lenses. With an apodization filter, this 56mm promises to have super smooth wide-open bokeh for beautiful portrait shots. In addition, I have one on loan from Fujifilm (the one you see out of the box above) and I will be doing some tests, comparing it to the regular 56mm f/1.2, to see just how different the new lens is, and also if it warrants being $1,599, a substantial $500 price increase over the regular one. My guess is that if you are a portrait shooter that wants the smoothest and creamiest bokeh, and you tend to like shooting wider open than f/2, then the advantages of this APD lens might indeed be worthwhile.

Stay tuned in the next week or two for some tests and an explanation of what the heck an "apodization filter" really is! By the way, the filter you see on the counter is a thread-on Fujifilm ND 8 which is included with the new lens in order to facilitate shooting wide open in bright lighting, allowing for the most dramatic improvement from the APD element. As opposed to the thread-on ND filter, the lens' APD filter is something permanently built in, like a lens element...

Friday, December 12, 2014

Arrived! Fujifilm Extension Tubes



Much to my surprise, we have already received our new Fujifilm extension tube order! We have both the 11mm and 16mm ones in stock currently.

Here is what both tubes look like on my X-E2, stacked with the 60mm macro…



Following are a few examples of what sort of an effect they have on minimum focus distance. Firstly, here is shot taken with Fujifilm's XF 60mm f/2.4R Macro by itself, at its closest focusing distance which gives a 1:2 macro reproduction ratio…



Adding the two extension tubes (the 11mm and 16mm) allows you to focus a lot closer, as you can see here, and my guess is that this shot is now getting close to a 1:1 reproduction ratio…



Even with both tubes attached, the working distance with the 60mm is still quite useable since closest focus results in the subject being 10cm from the front of the lens. Without the two tubes, the closest one can get with the 60mm is roughly 15cm. However, when you pair up the tubes with some wide-angle lenses, sometimes the point of focus is actually inside the lens, behind the front element! Clearly that is not workable.

For example, here is a shot with the 11mm tube and the XF 23mm f/1.4R but not at its closest distance. In fact, I believe the lens was actually set to infinity for this shot! In this case, the front of the lens was maybe only 2 or 3 cm from the "Eval" button on the calculator in the photograph...



One thing to remember is that every lens will behave differently with extension tubes. Fujifilm does have a chart that shows statistics for the individual tubes when paired up with various lenses, but does not show results when both tubes are used together. A few points about using extension tubes…

While autofocus does work with tubes attached, it doesn't work very well if the subject is far out of focus, even if the subject is actually within the current range of focus. This difficulty in focusing varies from lens to lens and is also dependant on which tube you are using, and usually gets worse when you stack more than one. Once you get the focus close though, then my X-E2 does seem to lock quite responsively. Generally speaking, the wider angle the lens, the more effect the extension tube has. For example, the 11mm tube by itself only has minimal effect on the 60mm macro, but on the 23mm wide-angle it has a huge effect on minimum focusing distance and reproduction ratio. Put the 11mm tube on the 10-24mm zoom and at 10mm, even at infinity focus, the point of focus actually falls behind the front element (inside the lens), however at 24mm it is barely useable with a few centimetres of working distance.

When using extension tubes, the range of focus on your lens, from closest focus to "infinity" is extremely compressed too. For example, the 60mm macro with both tubes give a 10cm working distance to your subject at closest focus but when the lens is set to infinity, that distance only increases to 17cm. This does make things difficult for the AF system and often it is easier to put the camera on manual focus and move the entire camera and lens back and forth physically to find the point of sharpest focus, rather than trying to use the focusing ring on the lens. This is why geared macro focusing rails are so useful!

Lastly, at present there doesn't seem to be any embedded metadata when the extension tubes are used with my X-E2. For example, Adobe Lightroom simply reports the XF 60mm f/2.8R as the lens used and there doesn't seem to be any way of telling if one or more tubes are attached. I can't be sure, but there is a chance that future camera body and/or lens firmware updates might rectify this...

If you would like to try the new extension tubes on your own camera body to see how they might perform with a specific lens, I have bought both for myself and will generally have them available to show at the store...

Saturday, December 6, 2014

Preview: Fujifilm XF 50-140mm f/2.8R LM OIS WR Zoom



(click on above image to open a high-res version in a new window)

[UPDATE: for my final review with a more extensive image gallery, click this link]

I recently had an opportunity to briefly test Fujifilm's new professional level zoom, equivalent to a 75-210mm in full-frame terms. I tested it on my X-E2 body but above, you can see it mounted to an X-T1. While the lens is indeed quite large and has substantial mass, it is actually not as heavy as it looks, in other words, its density doesn't seem all that high, a welcome fact thankfully. I have Fujifilm's extra hand-grip on my X-E2 and with it, I found the lens fairly well balanced and easy to handhold.

This is constant aperture f/2.8 zoom with a properly marked aperture ring on the lens, a first for Fujifilm zooms and hopefully the beginning of a future trend! It has a linear-motor (LM) for fast and quiet focusing, it boasts weather-resistant (WR) construction and has an optical image stabilizer (OIS) that is rated for 5-stops of extra stability. The tripod mount is detachable with two thumbscrews but it is also a nice way to carry the lens with attached body, to avoid stress on the body's lens mount from the relatively heavy lens.

The lens is beautifully constructed with a fully internal zoom mechanism and a silky smooth zoom ring with absolutely consistent tension that doesn't get tight anywhere within its range or towards either end of the zoom. In addition, it has a perfect feeling aperture ring with nice, crisp detents and excellent tension. In terms of its mechanical operation, it may just be the nicest feeling lens so far for Fujifilm's X-system. Personally, I take great pleasure in the mechanical and tactile feel of a camera's controls, one of the attractions of Fujifilm's X-system for me, and this lens absolutely does not disappoint. Finally, even the lens hood is thoughtfully designed, with a small slide-out portal that allows one to adjust a polarizing filter when the hood is mounted.

Friday, November 21, 2014

NEW! Fujifilm X-T1 GS, X100T and more...



Finally after a long wait, some hotly anticipated new Fujifilm cameras are in stock! First off, we have the lovely new X-T1 Graphite-Silver Edition, seen above. Then, the new X100T bodies have come in as well…

Note that as of this blog entry posting, we still have one beautiful silver X100S remaining in stock at a reduced price!

Also, Fujifilm has announced a set of macro extension tubes for the X-system - way cool! They are fully coupled electronically with the X-system lenses and should be available some time in December for roughly $100-$110 each…



Despite the fact that it is not mentioned in Fujifilm's press release, nor shown on their lens compatibility chart, I have confirmed that you should be able to stack these tubes with, for example, the XF 60mm f/2.4R macro lens to get close to 1:1 magnification - by itself without tubes the 60mm only gives 1:2, so half life-size. For many lenses, stacking both tubes will likely be too much though. For example, on the XF 18-55mm zoom, using MCEX-16 by itself already results in a nearly unusable 4mm working distance at 18mm! However at 55mm, the working distance becomes a more manageable 63mm. If you were to try using both tubes, the point of focus would actually be behind the front element of the lens at 18mm although when you zoom towards 55mm, at some point I suspect the stacked pair would become useable again. For a PDF chart showing specifications for the individual converters when mounted on the current X-series lenses, see the following link…

Magnification of the Macro Extension Tube (PDF: 90KB)

Lastly, Fujifilm has released details on the upcoming firmware updates for their X-series bodies. The black X-T1 will get an especially comprehensive list of updates! Here are links to Fujifilm's info on the upcoming firmware (as well as the extension tube announcement)…

Fujifilm Announces Macro Tubes and Details of Upcoming Firmware Updates